Totally not* nervous about ML&Co audition.
*okay maybe a little
So I dutifully kept my heart rate pretty moderate during tonight’s performance, but it was still so humid I finished up looking like I’d gone for a swim o.o
Also, I just realized that my scars add a dimension of realism to the Sparkle Zombie get-up XD
Totally not* nervous about ML&Co audition.
Okay, one of these days, I really need to take an actual weekend.
I cleaned the bejeezus out of the bedroom on Friday (we were supposed to go to a party, and then drinks after said party, and then the party was cancelled and, as a result, so were the drinks).
Saturday, I did juggling and ballet class (which was something of a disaster, y’all, and I have no excuse, except maybe the lack of breakfast), got costuming details sorted, showered, then ran back out the door to do dinner, a Cirque show, and drinks afterwards with my cirque peeps (we resolved to do the “getting together for drinks” thing again some time soon).
Also, YOU GUYS, I SHOWERED. The fact that this feels like an accomplishment suggests to me that I may be overscheduled*.
*To be fair, I do bathe pretty often, but that’s more like physical therapy than washing up.
We got home around 2AM, managed to get to sleep by 4AM, then got up again at 8AM to go do Acro, Open Fly, and the Sunday dance class.
Though we both did quite well with the dancing and the teaching, both Aerial A and I were defeated repeatedly by technology during class. I chalk this up to sleep deprivation, you guys. Because, seriously, we were both like, “OMG WHAT IS THIS THING I HAVE NEVER USED THIS BEFORE” as our phones trolled us. They were like, “Tendu music? Imma let you fi-NO I’M NOT!!!! HAHAHAHA!”
I gave my Sunday class a rond de jambe combination with that lovely fondu-rond-allongé thing. To be honest, I was kind of expecting at least one person to fall over, and nobody did, which was pretty impressive. I should reiterate that these guys are doing all this without a barre. Fortunately, aerialists already tend to have strong core muscles and to know how to use them.
What we’re working on, in this case, is lines: using turnout through the full range of motion in order to maintain a beautiful line. (In case you’re wondering: hands on is the best approach, here. Rond de jambe definitely really benefits from poking and prodding, not to mention grabbing and rotating and pulling and guiding.)
This is really very relevant to performing on aerial apparatus — I use rond de jambe all the time on trapeze, lyra, and silks. Right now, it’s especially handy in my trapeze choreography to transition from gazelle on the right leg to horse on the left leg.
Oh, and then I started in on the Handstand Challenge. Gentlefolk of the internet, here is how you do not do a handstand for more than 8.4 seconds:
I’m home now and in the process of making dough for French rolls and cheesebread (breakfast of champions?).
After we turn them into meatball sandwiches and stuff them in our faces, my big plan is to collapse into bed and SLEEEEEP.
…And then tomorrow it’s Monday again, so modern class.
I feel that, as a kid, this is what I was probably imagining when I imagined what weekends would be like when I was An Adult. Like:
“DO ALL THE THINGS! ESPECIALLY THE AWESOME THINGS! Then fall down and sleep!”
So there you have it. My weekend.
Jeez, guys, I need a break**.
**Not really complaining, here; also, totally aware that this whole post is like FIRST WORLD PROBLEMS OMG.
As a physical therapist who specializes in adults with developmental and intellectual disabilities, Denis is reimbursed for his services primarily through Medicaid.
Upcoming regulatory changes both to reimbursement rates and the delivery of services mean that right now he’s considering taking a full-time staff position rather than continuing in private practice.
I started to write about the details of that decision here, and then realized that was going to be a really, really long post; it it’s a question of regulatory changes that reflect both good intentions and terrible implementation, and it really deserves a thorough treatment in its own post.
Anyway, as such, we’re keeping our belts a little tighter until we know what’s what, and both Sun King and Mam Luft’s full-day track are off the table until the dust settles.
Realistically, that might not happen until mid-June, and since Mam Luft & Co’s summer intensive takes place the first week of June, that’s obviously a spanner in the works.
Fortunately, Mam Luft & Co has an evening track which costs roughly half as much as the full-day track — and which falls well within the scope of my monthly discretionary budget.
Thus, I’ve signed up for Mam Luft & Co’s evening track. On one hand, I’m a tad disappointed, because I really wanted to do the Contemporary Ballet classes offered as part of the full-day track. Likewise, I’m kind of bummed that I won’t be able to participate in the performance at the end, since that’s specific to the full-day track.
On the other hand, I’m really excited about the partnering, improv, and music awareness classes that make up a big chunk of the evening track’s course load, and I can add the Contemporary Ballet class if I want to by adding a “Pick 3 Classes” registration (which, at $54, is a reasonable add-on; I’ll need to do something during the day, after all).
Since Contemporary Ballet is on the second day of the program, I think I probably won’t be too cooked to handle the early-ish start (evening track classes end at 10:10 PM; the Contemporary Ballet class starts at 9 AM o_O).
I didn’t check the “I want to audition for the company” box on the the application, because I’m not sure that I have anything like enough modern dance experience, but maybe I’ll write to them and ask about that. Apparently men are strongly encouraged to audition, so there’s that?
It doesn’t make sense to car-commute 2 hours each way the whole time, so I’ll find a place to stay in Cincinnati for the week (I’m hoping for some place with a swimming pool; that would make an awesome counterpart to dancing), and then I’ll have to find ways to entertain myself during the day.
Honestly, that shouldn’t be a huge problem: I’m pretty good at keeping myself entertained. I plan to do some research over the next few weeks, find fun cheap-or-free things to do by day, and bring my bike (because if all else fails, I can always amuse myself by riding the bike … probably very slowly, and only in the flattest parts of Cinci I can find, but riding the bike nonetheless).
And, of course, there’s always the magical land of IKEA.
For July, Lexington Ballet’s week-long adult summer intensive is very much on my radar. At $275, it’s also quite affordable.
LexBallet’s program is evenings only, but like Cinci, Lexington is a nice place to visit, and I’m sure I can amuse myself during the day for a week. I also know my way around pretty well, and I will definitely bring my bike, since there’s some very nice riding in Lexington. If I’m lucky, I may be able to stay with friends, or with friends-of-friends, since I still know people there.
I’ll need to register by June 15th, but that seems very much doable even if things are still up in the air, financially speaking.
So it looks like I’ll probably be doing two one-week summer programs this year, in addition to my usual ballet-and-modern schedule.
So that’s my summer planned:
Suspend Spring Showcase
Mam Luft & Co Intensive (Evening Track)
Lexington Ballet Adult Intensive
And that’s it for now. I should go finish my various houseworky things, as we have all kinds of crazy plans all weekend.