Category Archives: auditions

Choose Your Own Intensive: Days 3 & 4

Yesterday, I had nothing before ballet, so I was properly fed and rested and so forth.

As a result, BW’s class went very well.

After, I went and played at Suspend, where we did all kinds of lifty things in Acro 2.

After that, my car decided to throw a fit and D had to come rescue me (fortunately, I noticed that it sounded weird and didn’t get on the expressway). As result, an already late night got later, and I was too tired to pack lunch.

This morning, D came home early and sent me to Cinci with his truck, which was really sweet of him. I had eaten two hot dogs for lunch, with the intention of grabbing some real food when I got back into Louisville.

In Cinci, partnering class was half really frustrating: I couldn’t hear because my allergies were trolling me, and we were learning partnering phrases, so I kept not quite understanding what was going on[1]. As a result, I kept frustrating my partner, which made me nervous, which makes my brain not work too well.

  1. Also, my body wanted all the fouettés to be tour jetés. WTF, body?

Anyway, we got there eventually.

During the second half, we did group lifts, and that bit went really well. Didn’t hurt that Acro 2 last night was all about the dynamic group lifts :p

Anyway, after Partnering, my plans for food were scuttled by a traffic jam. I resorted to buying Chex mix at a gas station when I refueled the truck. I would be surprised if that even brought me back up to baseline.

Anyway, BW’s final class was more challenging than it should have been, since I basically ran out of juice. I got all the way through anyway, but my grand pirouettes weren’t really all that grand. They started out nice going right, then fizzled, going left, I just worked fourth-passé-second-plié-relevé-plié-relevé, etc, without the actual turns.

On the other hand, I cracked out some nice grand allegro: it was kind of my way of saying, “I value your class and, dammit, I’mma try as hard as I can!”

That backfired, of course, when we proceeded to follow the second grand allegro combo with even moar petit allegro.

Oh, I can now check entrechats six off my goals list. Or, at any rate, I can mark them as done with baseline success but in need of werk, werk, werk, werk. They’re not pretty, but they’re there.

We did 36 of them.

Also, after that, so many Royales, which are my least favorite jump. I mean, seriously, in France there’s a hamburger named after them[2].

  1. I may be employing artistic license here. Who knows?

    Anyway, my legs felt weak and resentful (I suspect that, if you’re a dancer or a cyclist, you understand what I mean), and I resented their resentful attitude (note to self: I need to draw a resentful attitude 😁) until I realized that it wasn’t fair to resent them when it was my own fault for not feeding them.

    Evidently, it takes a lot of calories to run this body at peak performance, or at any rate more than the ≈600 I have it before tonight’s ballet class.

    …Oh, well.

    At any rate, I’m pleased with myself for not giving up. There were a few times in class tonight that my dark side whispered,”You could just say your foot is unhappy!”

    But I didn’t.

    So there’s that.

    Anyway, I’m going to go have a wee soak in some Epsom salts. Tomorrow, I have to leave at 7 AM for Cinci because evidently I’m insane, so after that I’m off to bed.

    Choose Your Own Intensive: Day 2

    At ML&Co, it was partnering day. I paired up with a girl who was frankly awesome at partnering. She made us both look good!

    I landed hardish a couple of times on my healing foot, but still made it through everything in BW’s master​class except grand pirouettes going left. My foot complained about those, so I decided to play it safe and only do a couple.

    Even grand allegro went reasonably well. Still can’t get out of my own way doing brisées in medium allegro, though :/

    Or, well. I managed a couple going right, but literally got off on the wrong foot going left and failed to actually recover.

    I guess that’s going to be a goal this week.

    The combo is:

    Glissade, jeté, jeté jeté; balloté x4; coupé-balloné; brisée, brisée; temps de cuisse, entrechat quatre x2.

    I think I’m going to have to mark that at home.

    On the other hand, some of the stength-y things and some of the balance-y things felt easier today, as did the crazy petit allegro brainteaser that BW has us running (the one from last Thursday with the incredibly confusing assemblés).

    So that was today. No ML&Co class tomorrow, so I plan to catch up on housework, make friends with the foam roller, and review the crap out of that medium allegro.

    Choose Your Own Intensive: Day 1

    I was, in fact, on the nervous side this morning when I left home.

    Surprisingly, by the time I reached Clifton Cultural Arts Center, that nervousness had evaporated. Instead, I simply felt delighted to be returning to a place where I had a really great experience last year.

    I picked up my number and the little program for the intensive and parked myself in the main studio, where a bunch of the students were watching Rosas Danst Rosas. Even that was pleasantly familiar: Rosas is one of the seminal works of progressive modern choreography that almost every dancer who’s worked in the discipline knows, and Mam-Luft & Co’s 2016 intensive  was the first place I saw it.

    41

    “I’m #41! I’m #41!” shouted nobody ever, except me, probably.

    Improv class went well. I really actually rather love improv, though my body took a bit to wake up today. The drive up to Cincinnati is nearly 2 hours, which is a long time to sit still. Tomorrow, my class starts a little later, but I’m still going to leave at the same time.

    I am not, I’m happy to report, the Onliest Boy this time. There’s another guy, and he’s quite good. He’s auditioning as well. We’re very similar in size, but quite different in build and movement style, so I’m actually kind of hoping I’ll get to work with him in the partnering classes at least a bit.

    A couple of the girls from last year are also there this year, which is awesome. Regardless, I don’t feel so weird and shy and isolated this time. Like, I kind of feel like I know what I’m doing this time, and like I have some business being there.

    After class, I dashed away almost immediately (partly so I could stop at United Dairy Farmers and get a milkshake, which turned into the greater part of my ultra-healthy lunch[1]).

    1. A milkshake and a banana. Don’t judge. We don’t have UDF in Louisville, so it was 100% worth it.
      • In fact, this worked out surprisingly well, really. The milkshake provided enough fuel to get me through ballet without turning into a brick in my belly.

    Back in Louisville, I took a break to read things on my phone, then headed over to the ballet. We’re in the main studio downtown, which is really nice. There are only 10 or so of us in the master class, so we have a ton of room to move … which is good, because BW likes to make us travel.

    Class went well. I got through everything, jumps and all, though I couldn’t convince my body to brisé during combinations, only during marks. I do, however, have my entrelacé back. I got to do grand allegro, and it was pretty good.

    I took a couple of technical notes, but I left my notebook in my car and I can’t remember what they were. That’s fine, though: if I don’t remember at least some of them by the end of this week, I am probably beyond hope and should consider a career in Couch Potato Cultivation rather than in dance.

    I am, in fact, the Onliest Boy in the masterclass series this week, but I’m okay with that. It’s a much smaller group than ML&Co was last year.

    Anyway, I’m really tired, so I’m going to close here. I think I intended to say something more interesting, but I’ve been busily doing a billion other things whilst writing this post, and I can’t remember what they were.

    ~

    PS: You know you’ve worked hard when you drop in at your aerial studio to say “Hi” to your friends, and the first thing someone says is, “Did you get caught in the rain?” 😀

     

    Good News 

    I got cast! (And not the broken-bone kind 😁)

    Next audition on my radar is ballet-related, but I’m not sure when it is. Dates haven’t been posted yet. 

    Callbacks ‘n’ Sech

    Today was a long day: class at 10:30 (with a smidgen of rehearsal afterwards); teaching at 1 PM; suspended meditation at 2; callback at 3:30 (ended a little past 6:30).

    Class was … erm. Like, barre was great? And the rest of it was … yeaaah. Erm. I had issues. On the other hand, I did manage one not-very-good triple, and except for the points at which I actually screwed up, things looked okay.

    All three members of my Ballet Girl Posse were in class, and two of them stayed after, so we ran through our choreography … and I actually learned all their names. YAY! So at least I’ve accomplished something today. BG was still around, so he ran us through our bit a couple of times, and we decided that we like fourth arabesque better for my bit of the first partnering piece (a series of supported fouettés).

    I begged off the last ten minutes of the modern dance portion of the apprentice-teaching class because my legs were a bit angry at me and I was going to need them for the audition. I used the time to foam-roll the crap out of them.

    During meditation, I fell asleep. Given that I am the world’s worst napper (seriously, I can normally only nap when I’ve been awake for at least 48 hours straight), that’s saying something. Evidently, I was pretty tired.

    The callback turned out to be the highlight of the day. It was more like a dance-and-theater workshop than an audition—we did some partnering stuff, then learned a dance and performed it in groups, then played theater games and ran some sides. Honestly, it was a hell of a lot of fun with a great group of people (both judges and fellow auditionees), and if every audition was that much fun, I’d audition for everything.

    It turns out that I know the guy who’s directing the production. I met him at a party (which happened to be at his house) and felt instantly very, very comfortable with him, which speaks very highly of him. Also: proof that my world is incredibly tiny, heh.

    We’ll hear back in a week or so about roles and such. Fortunately, I have too much going on to have much time to chew my nails about it, though I don’t have class with BW on Thursday this week.

    Regardless, BW gave me homework—jumping rope to improve my cardio as well as the usual Turns Homework and … erm. I’m supposed to be doing something else, too, I think? Fehhhhcccckkkk. I can’t remember. It’s in my notes somewhere.

    Anyway. I will miss BW’s class this week, but I suspect my body will welcome the extra rest. The fitness is returning, but my body hates me so much right now.

    Remember That Audition Where I Fell Off The Trapeze? 

    The most interesting man in the world doesn’t always fall off the trapeze, but when he does, it’s during an audition … and lands him a callback!(1)

    1. Okay, so falling off the trapeze may have had exactly nothing to do with it. But still! I got a callback!!! YASSSSSSS!

    Pretty much a perfect depiction of how I’m feeling right now 😀

    Very Funny, Universe

    Before tonight, I had managed never to really fall off the trapeze before. I’ve dumped myself off handstand-style once, but that doesn’t really count.

    Tonight, I managed to take a legit fall—during my audition.

    In retrospect, I made the wrong call abotu my music: instead of just going for the piece I’d intended, “La Mer,” which was a little too long, and letting them cut it off, I opted for “Beyond the Sea” (Bobby Darin’s version).

    It turns out that the tempo of Darin’s “Beyond the Sea” is actually quite a bit faster than the recording I have of “La Mer.” I was tired and attempting to adapt, and somewhere along the line my brain decided halfway into an egg-to-pike inversion that I was actually doing the arabesque roll to sit that comes at the end.

    20161004_085517.jpg

    Uh-oh. Here comes the Failboat.

    Since one wraps one’s arms for the inversion in question, it’s not possible to do the roll in question without breaking said arms. I’m more afraid of breaking bones than of falling, so I basically just let go.

    Failboat

    Allll Aboooooaaaaard!

     

    Apparently it was a pretty spectacular fall—and a technically-correct one 🙂 I tucked and rolled, and as a result the only parts of me that hurt are my forearms, which is what happens when you wrap your arms and then do crazy shizzle.

    I popped back up and was ready to hop back on the trap before they even had a chance to cut the music (though they did, in order to make sure I was okay). I sorted my way through the rest of the trap routine, though I didn’t do the arabesque roll at the end; my arms weren’t digging that.

    Ironically, the rest of the audition went pretty well, and apparently my trapeze improv looked pretty great (the fall was evidently quite exciting as well :D).

    So, that’s my life for you. When I do finally manage to fall off the trap, it’s in the middle of an audition.

    the-most-interesting-cat-in-the-world

    At least I didn’t fall down during the dance portion? I did fall down during the acting part, but that was on purpose.

    So there.

    ~

    Oh, also, ballet was good today, petit allegro was far less bad than usual, and we discussed rehearsals for showcase, etc.

    We also had a Physical Theater workshop, and afterwards I was chatting with the teacher, and she said something like, “So, you dance ballet?”

    And I said something like, “Yeah, a little modern, but ballet is really my first language and my first love.”

    Then she said, “I could tell—the legs!”

    😀

    And now, if you’ll excuse me, I’m going to Eat All The Food.

    The First Audition

    So the audition was a bit mixed (kept reminding myself that almost nobody else had 100% of any individual phrase, either), but overall a complete blast — especially loved the partnering improv.

    Also, I think my legs are going to fall off.

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