Modern Monday, T… I Got Nothin’ For Tuesday

Yesterday (Monday) began not-so-well and ended brilliantly.

Modern class was, on average, more or less a wash. I had trouble waking up, and while my floorwork was good, I simply couldn’t remember much of the across-the-floor sequence.

I suspect some of that was sleep- and medication-related. I have been having trouble sleeping for …  well, for reasons that I hope are sorted now via some very blunt communication with our housemate (in summary, “Yes, I sleep that lightly; no, I cannot afford to stay up later at weekends, so Quiet Hours After 10 PM really, really means just that, or I will eat your face, kthxbai). My circadian rhythm had crept back to its natural 2-or-3-AM-is-bedtime pattern, so I finally just knocked back an Ambient on Sunday night.

I got some much-needed sleep, but I don’t think my brain was 100% online until after lunch.

That said, a post-lunch choreography session went really well (once I wrestled technology to the ground, anyway) and produced some useful material — and the extra edition of Killer Class (Mme B subbed for M BeastMode) went brilliantly.

First of all, I did all the freaking turns the right freaking way. There were no backwards turns. There were no just l-plain-failed-to-turns.

I was not channeling Derek. Zoolander.

image

Don't be this guy. (Shamelessly stolen via teh Googs.)

Second, I adaged like a boss.

I was pleased with that, because the strength of my legs is uneven at the moment (though improving every day), which mostly translates to left-supporting-leg balances being wobbly. (Y’all, it is so frustrating to pull off a really long attitude balance on the right, then barely manage one at all on the left because your hip is all loosy-goosy).

Third, I did do part of the petit allegro incorrectly on the last repeat, but only because my brain skipped over the easy part in order to get to the less-easy part.

Also, my left split is back, now that my sacrum is no longer jammed on the opposite side.

Even better, after nearly four hours of dancing, I felt sufficiently tired to sleep without pharmaceutical guidance.

Today, I played on the lyra and got stuck in the silks in Mixed Apparatus Lunch Meeting Class. The silks thing was kind of hilarious. We were practicing figure-8 foot locks one at a time up the fabrics, and (because my legs are super-strong and flexible because ballet) I climbed right up to the ceiling … Where I proceeded, somehow to get my left foot tangled while stepping out of a foot-lock.

At ground level, this is merely embarrassing. You hop around on the free foot as you extract yourself.

Fifteen feet in the air, it’s a little more complicated.

I should simply have put my right for into a foot-lock, but by the time I realized that, I’d been desperately hanging there, alternating between single short-arm hangs, until I’d already exhausted my arms. I was, at that point, freaking out not about the prospect of falling, but about the prospect of being caught by that one tangled foot and breaking or straining something.

My brain was like, “NONONO, WE NEED ALL OUR FEET FOR DANCING.”

So instead I called to Denis for help, and he reached way up and flapped the tail of the silk around until we managed to free my foot.

Silks, you guys. Sometimes, the struggle is really real.

Incidentally, I now enjoy a much healthier sense of empathy towards fishing-industry by-catch.

This miniature disaster was mitigated by a very enjoyable Flexibility & Mobility class tonight — it turned into the equivalent of a knitters’ Stitch-n-Bitch (complete with off-color jokes) as we foam-rolled ourselves into oblivion.

After, in open fly, Denis & I worked on the timings for our performance and ran through the piece several times. I ran mine on both sides, just because — it works well either way, so I can adjust as needed according to how the apparati are set up.

I’m still just really excited about the fact that I can make it through several successive runs of my trapeze routine in a row, even with the timing changes that force me to hold gravity-defying positions for ages.

I’m also happy that I feel confident running my routine on the second-highest of our traps (the ropes on the highest one are too short for the iron cross segment).

FWIW, I’ve now practiced this piece, or sequences from this piece, on four of the five trapezes that are most often rigged in our studio. Woot.

Tomorrow, it’s my usual Killer Class, so I hope the fact that I took my Ambien early will help reduce the duration of the “hangover” effect. Then I’ll be working around the house until it’s time to go to Trapeze class.

Speaking of Ambien, mine has decided that I will sleep now — so I’ll close this here.

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About asher

Me in a nutshell: Standard uptight ballet boy. Trapeze junkie. Half-baked choreographer. Budding researcher. Transit cyclist. Terrible homemaker. Getting along pretty well with bipolar disorder. Fabulous. Married to a very patient man. Bachelor of Science in Psychology (2015). Proto-foodie, but lazy about it. Cat owner ... or, should I say, cat own-ee? ... dog lover. Equestrian.

Posted on 2016/05/17, in aerials, balllet, choreography, class notes, modern, trapeze and tagged , , . Bookmark the permalink. Leave a comment.

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