Two for the Road

On Monday, M. BeastMode drilled us all about conservation of motion. Since I seriously need to work on that — I’m all about the attack, but sometimes at the expense of letting myself sort of fall apart — that was a very welcome topic.

Anyway, today, while catching up with the Tweeters after literally months of trying really hard not to look at Twitter ever because, seriously, it’s like being kidnapped by some secret spy agency; you go in and then you wake up and it’s three days later and you don’t know what happened and it feels like someone hit you in the head with a brick.

Okay, maybe minus the part about the brick, except when eyestrain occurs.

ANYWAY.

So today I saw this fantastic tiny video from Miami City Ballet, and I went, “HOLY CRAP. THIS IS IT.”

It’s in time-lapse, and that’s what makes it work. Here are these dancers, and their arms and legs are like all over the place, and their bodies DO. NOT. MOVE.

This, people, is how you use your core. This is conservation of motion. This is what will make your turns a thousand times better and your renversés and balances all Balan-shiny. This is what Ms. B picks on me about now that my pelvis seems to be more or less reliably sorted 😉

So, here you go. Watch (you may have to click through; I’ve never tried to embed a Twitter video before) and absorb, and then the next you’re in class, install and run this mental image. I am dead certain that this will help me, and pretty sure it will help almost anyone.

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About asher

Me in a nutshell: Standard uptight ballet boy. Trapeze junkie. Half-baked choreographer. Budding researcher. Transit cyclist. Terrible homemaker. Getting along pretty well with bipolar disorder. Fabulous. Married to a very patient man. Bachelor of Science in Psychology (2015). Proto-foodie, but lazy about it. Cat owner ... or, should I say, cat own-ee? ... dog lover. Equestrian.

Posted on 2016/04/15, in balllet, video and tagged , , , . Bookmark the permalink. Leave a comment.

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